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The Horror Geek presents: Dead Rising 2 videos galore

Capcom's Dead Rising 2 snubbed E3 earlier this year (citing swine flu concerns or something to that effect), but it's making up for that missed opportunity by showing off a veritable truckload of footage at the Tokyo Game Show. I've lost count of how many videos have been released over the past day or so, but trust me when I say it's a lot. If we were in sort of in the dark about what to expect from this zombie-slaying sequel, I think things are now illuminated.

I'm not going to post all of the videos here (because I'm lazy), but I will say you can find pretty much all of them by heading over to G4's website. They've got the original trailer, multiplayer footage (which had me wondering if I was really watching a trailer for Dead Rising 2 at first…) and all sorts of other goodies.

I am going to share one video, though—because it highlights one of the numerous new weapons players can use to kill the undead in the game. It's a combination pitchfork/shotgun, and if the idea of taking out zombies by impaling them on the tines, lifting them in the air, and delivering a buckshot coup de grace to their rotting faces doesn't make you giddy, then I'm not sure we can be friends anymore. I'm sorry, there are just certain things I expect from the people I spend time with—and appreciating the joys of shooting zombies in the face is very high on that list.

GameCritics.com Podcast Episode 22 Transcript

Transcript of GameCritics.com Podcast Episode 22: Scribblenauts, Muramasa, and Are games too hard?

GameCritics.com Podcast Episode 22: Scribblenauts, Muramasa, and Are games too hard?

Do games need to be easier to attract a wider audience? Or are games too easy as it is? Where did all the hard games go? What role does culture play? Will "Autoplay" features reduce frustration or just make gamers lazier than ever? With your help, we attack these questions from all directions. Also: quick hits on Scribblenauts and Muramasa: The Demon Blade. With Chi Kong Lui, Brad Gallaway, and Tim "If You Lose at Candy Land You're Banished to the Woods" Spaeth.

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Please send feedback and mailbag questions to podcast (at) gamecritics (dot) com.

Eat Lead: The Return of Matt Hazard Review

No laughing matter

Eat Lead: The Return of Matt Hazard Screenshot

HIGH The Cloud Sephiroh fight.

LOW The rest of the game.

WTF Doing a William Shatner impression does not count as a "joke".

Interview with Jim Deal of Airtight Games on... Dark Void

Interview with Jim Deal of Airtight Games

At the most recent PAX show, I was fortunate enough to spend a bit of time with a game I had been greatly anticipating: Dark Void from Washington's own Airtight Games.

Produced in conjunction with Capcom, Dark Void is an adventure game featuring aliens and jetpacks inside the Bermuda triangle. With tight transitions between air and land on top of clever vertical combat, this title is definitely one to watch—it also doesn't hurt that the people behind it are some of the same folks who worked on one of my favorite Xbox titles, Crimson Skies.

Airtight Games' president and creative director Jim Deal was kind enough to spend a few moments talking with me about this upcoming title and I'm quite glad to share what he had to say.

Demon's still has my soul

Demon's Souls Screenshot

I had to put Demon's Souls aside for while to cover a couple of must-review titles, but I decided that I was going to take a break from reviewing for the weekend and just play for fun. Popping it back in my PS3, I was instantly sucked back in. Taking that short time away, I had forgotten how ridiculously awesome it is. The atmosphere, the feeling of exploration… everything. I totally love this game. That's not to say the game is flawless, though—it suffers from the same issue so common to many RPGs in that the developers want you to choose the type of character you play before you really know what your preferred play style will be.

The Horror Geek presents: Zombie Apocalypse comes to PS3 and Xbox 360 next week

zombie Apocalypse

Konami’s announced the official release date for their downloadable zombie slaughterfest, Zombie Apocalypse. Anyone with a hankering for killing hordes of the walking dead will want to mark September 23rd and 24th down on their calendars. Xbox 360 owners will be able to download the title one day earlier than their PS3-owning brethren for some reason. When I last saw the game, it looked a lot like Smash TV with zombies. Since I happen to love Smash TV, this got me very excited.

Bionic Commando Second Opinion

He's not angry, just misunderstood

Bionic Commando Screenshot

HIGH Hanging motionless for a split second a hundred feet in the air above a boss before crashing down on it bionic fist first.

LOW Fumbling ineptly with certain biomech enemies for a large amount of time before discovering their weakness.

WTF When replaying certain sections, the in-game chatter is sometimes replaced with more profane versions of the same sentence.

Decisions, Decisions

Decisions, Decisions.

Disclosure: This post has nothing to do with gender, sexism, or the like.

Playing inFamous made me think of other games that I've played where I have the ability to make choices that effect the story or other parts of the game—to be "good" or "evil" so to speak. And after some thought on the subject, I discovered I was hungry and made a sandwich. After that, games such as Knights of the Old Republic, Mass Effect, BioShock, Morrowind/Oblivion, and Fallout 3 came to mind. The question that I pose is this—what makes a good way to allow the player to "choose" their path while not pandering to ideological extremes and still providing an engrossing experience? Ideally I would be able to chose virtually any action I wanted, and have the game respond accordingly regardless of what I chose. Is this even possible? Or has it been done already?

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