When Skyrim tries to go big, it often falters due to poor writing, over-promising, or a disconnect between the story and the gameplay. The happiest exception to this trend is the Dark Brotherhood questline, which is one of the game's great successes. This is because it obeys the rules of good writing, and of good game design.
Hmmm, criticizing The Elder Scrolls: Skyrim's opening for being lackluster compared to Call of Duty 4: Modern Warfare's now (in)famous opening? Is it fair to compare two games from two seemingly disparate genres like an open-world role-playing game and a scripted, set-piece-heavy, first-person military shooter? Maybe it isn't, but it does sound like something GameCritics would do. No wonder we like this video.
So, the Mass Effect 3 demo. I hesitate to bring it up, but I can't let it pass without making at least a few brief comments. First off, I really hope that the game addresses Ashley's radical make over... if the game hadn't told me that's who it was, I never would have recognized her, and I don't mean that in a good way.
Skyrim is a huge and uneven game, and I will be discussing many of its high points. In the spirit of getting the bad news out first, however, I want to discuss the game's secondary quest, concerning the civil war between the Imperial Legion and the Stormcloaks led by Jarl Ulfric of Windhelm. There is much to admire in the way this quest is set up, but as a world element and gameplay series it falls short in several respects.
I have a lot to say about The Elder Scrolls V: Skyrim, and indeed I've already said some of it. Some of it has been said for me, for instance in Shamus Young's takedown of the Thieves' Guild quests, which after a promising start became too intolerable for me to bother completing. Uneven writing quality is almost a certainty in a game this large, though, and perhaps it was the Thieves' Guild's time, after being one of the best sidequests in Oblivion.
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