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Game Changer: Can Tim Schafer's Kickstarter Project change the way games are funded?

Game Changer: Can Tim Schafer's Kickstarter Project change the way games are funded?

It's unclear if Grim Fandango creator Tim Schafer intended to change the way games are financed or not, but his latest venture could have long-lasting repercussions on the hobby we all know and love.

Crafting Nightmares: Why Amnesia's Dark Descent terrifies audiences

Amnesia: The Dark Descent Screenshot

There have been some genuinely scary horror games over the years - everything from Silent Hill and Fatal Frame to PC titles like Clive Barker's Undying and so on. Each has worked diligently to merge the idea of the horror narrative with compelling gameplay in order to craft experiences that keep gamers playing even while they cower in fear behind their controllers. As great as some of those have been, few have been as perfect as Amnesia: The Dark Descent.

Resistance 3: Capelli's progress

Resistance 3 Screenshot

On the strength of Matt Kaplan's review, I decided to grab Resistance 3. Kaplan didn't steer me wrong. Alongside solid gameplay, Resistance 3 delivers a compelling story about a man's journey through an interesting post-apocalyptic landscape. Like many other recent games, however, Resistance 3 flubs the ending, betraying its own tightly-crafted atmosphere.

Skyrim: The war that wasn't

The Elder Scrolls V: Skyrim Screenshot

Skyrim is a huge and uneven game, and I will be discussing many of its high points. In the spirit of getting the bad news out first, however, I want to discuss the game's secondary quest, concerning the civil war between the Imperial Legion and the Stormcloaks led by Jarl Ulfric of Windhelm. There is much to admire in the way this quest is set up, but as a world element and gameplay series it falls short in several respects.

Armchair Analysis: Microsoft's potential gamble

Microsoft Xbox 720 Image

The decision to lock out used games would be a major gamble for Microsoft to make. While the decision would likely be cheered by the industry, the possibility of fewer consumers and doing irreparable harm to relationships with retail partners has serious implications.

State of Play with Brandon Bales: Jonathan Blow, Part Two

Welcome back to the second part of our interview with Jonathan Blow, creator of the indie smash Braid and the upcoming The Witness.

In this episode, we begin the discussion of what it means to spend our time playing games. Paramount to this: our discussion of "achievements" and how they feed into creating structures that presuppose challenging design.

Skyrim: The Alduin/Dagon dichotomy

The Elder Scrolls V: Skyrim Screenshot

I have a lot to say about The Elder Scrolls V: Skyrim, and indeed I've already said some of it. Some of it has been said for me, for instance in Shamus Young's takedown of the Thieves' Guild quests, which after a promising start became too intolerable for me to bother completing. Uneven writing quality is almost a certainty in a game this large, though, and perhaps it was the Thieves' Guild's time, after being one of the best sidequests in Oblivion.

State of Play with Brandon Bales: Jonathan Blow, Part One

Welcome back to State of Play with Brandon Bales!

Here's the first part of our interview with Jonathan Blow, creator of the amazing indie hit Braid and the upcoming The Witness!

In this episode, we dive into Mr. Blow's history in the industry and into the genesis of Braid, one of the breakout hits of the new Download Renaissance.

Cinematic action gunplay

Uncharted 3: Drake's Deception Screenshot

In a cinematic action game, the player needs to keep moving forward because the intent of the game is to both tell a story and excite the player. Viewed as a question of design alone, difficulty that forces several replays of any section is undesirable because it gates progress and converts the game into a movie that is merely very inconvenient to watch.

The crying game

Shadow of the Colossus HD Screenshot

There is a certain muddiness here between "narrative" components and "systems". Would I have loved Agro as much if he were a lizard? A featherless chicken? A square with four squares sticking out of it? Perhaps I would not have. At the same time the graphical (i.e. narrative) depiction of Agro as a horse serves to contextualize the system he presents and make the game's rules intelligible.

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